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Disruptive Feminisms: Raced, Gendered, and Classed Bodies in Film
films and filmmakers who are not so obviously read as feminist or Marxist, Gwendolyn Foster showcases their ability to...... more |
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Hoarders, Doomsday Preppers, and the Culture of Apocalypse
The culture of twenty-first century America revolves around narcissistic death, violence, and vision... more |
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Performing Whiteness: Postmodern Re-Constructions in the Cinema
Explores how whiteness is culturally constructed in American films.... more |
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Experimental Cinema: The Film Reader
This volume provides a comprehensive guide to the long tradition of American avant-garde cinema, fro... more |
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Experimental Cinema, the Film Reader
This volume provides a comprehensive guide to the long tradition of American avant-garde cinema, fro... more |
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Women Film Directors: An International Bio-Critical Dictionary
Until now, there hasn’t been one single-volume authoritative reference work on the history of women ... more |
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A Short History of Film, Third Edition
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A Short History of Film, Third Edition
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Hoarders, Doomsday Preppers, and the Culture of Apocalypse
The culture of twenty-first century America revolves around narcissistic death, violence, and vision... more |
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A Short History of Film
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21st-Century Hollywood: Movies in the Era of Transformation
They are shot on high-definition digital cameras--with computer-generated effects added in postprodu... more |
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21st-Century Hollywood: Movies in the Era of Transformation
They are shot on high-definition digital cameras--with computer-generated effects added in postprodu... more |
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A Short History of Film
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A Short History of Film
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Class-Passing: Social Mobility In Film And Popular Culture
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Class-Passing: Social Mobility In Film And Popular Culture
different socioeconomic classes as their ownasserts Gwendolyn Audrey Foster in Class-Passing: Social Mobility in Film and...... more |
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Identity and Memory: The Films of Chantal Akerman
, Catherine Fowler, Janet Bergstrom, Ginette Vincendeau, Gwendolyn Audrey Foster, Judith Mayne, and Kristine Butler. Originally...... more |
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Troping the Body: Gender, Etiquette, and Performance
literature, and advice books and films. Gwendolyn Audrey Foster analyzes the work of such women authors as Emily Post, Christine...... more |
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Captive Bodies: Postcolonial Subjectivity in Cinema
Captive Bodies examines the film industry s fascination with bondage and captivity, seeking to revis... more |
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Captive Bodies: Postcolonial Subjectivity in Cinema
Gwendolyn Audrey Foster is Assistant Professor of English and Film Studies at the University of Nebraska. She is also...... more |
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Women Filmmakers of the African and Asian Diaspora: Decolonizing the Gaze, Locating Subjectivity
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