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搜尋結果共 14 筆, 頁數 1 / 1
呈現:
Situatedness, Or, Why We Keep Saying Where We Re Coming from
? David Simpson’s Situatedness casts a critical eye on this currently popular form of identification, suggesting that, far...... more |
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The Spectacle of History: Speech, Text, and Memory at the Iran-Contra Hearings
? Michael Lynch and David Bogen take the example of the Iran-contra hearings to explore these questions. These hearings, held in...... more |
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Anomalous States: Irish Writing and the Post-Colonial Moment
Anomalous States is an archeology of modern Irish writing. David Lloyd commences with recent questioning of Irish...... more |
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Dialectics of Our America-P
Joining the current debates in American literary history, José David Saldívar offers a challenging new perspective on...... more |
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Vergil, Philodemus, and the Augustans
The Epicurean teacher and poet Philodemus of Gadara (c. 110-c. 40/35 BC) exercised significant liter... more |
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Criticism / Borderlands-P
, José E. Limón, Terese McKenna, Elizabeth J. Ordóñez, Genero Padilla, Alvina E. Quintana, Renato Rosaldo, José David Sald...... more |
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Upper Playground: 10 Years of T-Shirt Graphics
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Vergil, Philodemus, and the Augustans
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The Rhetoric of Empire: Colonial Discourse in Journalism, Travel Writing, and Imperial Administration
survives today in writing about the Third World--are the subject of David Spurr s book, a revealing account of the rhetorical...... more |
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麻醉危機處理(第2版)
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Reading the Figural, Or, Philosophy After the New Media
In Reading the Figural, or, Philosophy after the New Media D. N. Rodowick applies the concept of th... more |
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Reading the Figural, Or, Philosophy After the New Media
In Reading the Figural, or, Philosophy after the New Media D. N. Rodowick applies the concept of "th... more |
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Writing: The Political Test
Writing involves risks--the risk that one will be misunderstood, the risk of being persecuted, the r... more |
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Gilles Deleuze’s Time Machine
Although Gilles Deleuze is one of France s most celebrated twentieth-century philosophers, his theor... more |