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Tobias Madison: No; No; H E P
This publication expands upon an exhibition by Swiss multimedia artist Tobias Madison (born 1985) he... more |
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Peter Saul
, including essays by Los Angeles-based critic Bruce Hainley; Richard Shiff, renowned art historian; and Annabelle Ténèze, Chief...... more |
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Vile Days: The Village Voice Art Columns, 1985-1988
wrestling, flower shows, public art, corporate galleries, and furniture design. Edited and prefaced by Bruce Hainley, Vile Days...... more |
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Now the Night Begins
A novel that is a meditation on friendship, love, obsession, power, and abuse, by turns hyperrealist... more |
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Darren Bader
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Commie Pinko Guy
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Albert York
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Brian Calvin
Something of a celebration of slackerdom, Calvin s idiosyncratic paintings capture the decadent mela... more |
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Under the Sign of Sic: Sturtevant’s Volte-Face
Venice Biennale, she will have a major survey at the MoMA, New York, in 2014. In Under the Sign of sic], Bruce Hainley...... more |
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Sturtevant: Image over Image
This new catalogue on legendary appropriation artist Elaine Sturtevant (born 1930) features 30 works... more |
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Alex Bag
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Chris Martin
Chris Martin’s paintings are investigations in color, form and texture, ranging from bold and graphi... more |
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Tomma Abts
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Phil Collins: The World Wont Listen
British artist Phil Collins (b. 1970) uses films, photographs, and installations to explore the medi... more |
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Anselm Reyle: Ars Nova
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Urs Fischer: Kir Royal
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Art: A Sex Book
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The Americans. New Art
The last five years has been a period of explosive activity in the American art scene. This definiti... more |
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Parkett #62
Presenting unique and in-depth collaborations and editions with leading international artists, Parke... more |
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Tom Friedman
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