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呈現:
The Oxford Handbook of Mobile Music Studies
The two volumes of The Oxford Handbook of Mobile Music Studies consolidate an area of scholarly inqu... more |
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The Oxford Handbook of Mobile Music Studies
The two volumes of The Oxford Handbook of Mobile Music Studies consolidate an area of scholarly inqu... more |
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The Oxford Handbook of Mobile Music Studies, Volume 2
The two volumes of The Oxford Handbook of Mobile Music Studies consolidate an area of scholarly inqu... more |
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The Oxford Handbook of Mobile Music Studies, Volume 1
The two volumes of The Oxford Handbook of Mobile Music Studies consolidate an area of scholarly inqu... more |
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Chico Buarque’’s First Chico Buarque
Chico Buarque comprises a critical appreciation of the self-titled album (1978), which is one of the... more |
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Naná Vasconcelos’’s Saudades
The story of Afro-Brazilian percussionist Naná Vasconcelos stitches together histories of 1960s-1980... more |
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Racionais McS’ Sobrevivendo No Inferno
In 1997 the rap group Racionais MCs (the ’Rational’ MCs) recorded the album Sobrevivendo no Inferno ... more |
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Gilberto Gil’s Refazenda
Refazenda connects a remarkable album by one of the 20th and 21st centuries’ great musicians to a da... more |
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Chico Buarque’’s First Chico Buarque
"A critical account of the eponymous 1978 album by Chico Buarque, who is widely considered to be one... more |
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Naná Vasconcelos’’s Saudades
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Racionais McS’ Sobrevivendo No Inferno
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Milton Nascimento and Lô Borges’’s the Corner Club
In 1972, a group of creative Brazilian musicians and poets informally led by singer-songwriter Milto... more |
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Gilberto Gil’s Refazenda
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Dona Ivone Lara’’s Sorriso Negro
More than simply a paragon of Brazilian samba, Dona (Lady) Ivone Lara’s 1981 Sorriso Negro (translat... more |
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Jorge Ben Jor’’s África Brasil
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Jorge Ben Jor’’s África Brasil
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